ILIAS CHRISSOCHOIDIS

 

Stanford profile

 

PEPRAGMENA

Education

Research Appointments

Writings

Compositions

Videos

Teaching Experience

Work Experience

Piano Performances

Bios

Bibliographical Citations

Scholarly Acknowledgements

References

Memberships

 

 

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Inspiratorio

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Eviva!

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Hellenotropia

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Piano Concerto

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Recent activity:

         The Artistry of Beethoven: A 250th Anniversary Celebration (new course)

 

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EDUCATION

 

2004 Ph.D. in Musicology, Stanford University, USA.

Dissertation: Early Reception of Handels Oratorios, 17321784: Narrative Studies Documents, 3 vols., xiii + 1626 pp.

Dissertation committee: Professor Karol Berger (adviser), Professor Stephen Hinton (reader), Professor Thomas S. Grey (reader).

1996 M.Phil. (by research) in Musicology, University of Liverpool, UK.

Thesis: The Concept of Music in the Shakespearean Corpus: An Exploration of Neoplatonic Ideas of Music in Shakespeare.

19951996 M.Phil./Ph.D. status, Musicology, Kings College, University of London, UK.

Project: The Impact of Aristotles Poetics on the Efforts Towards the Creation of Opera.

Adviser: Professor Reinhard Strohm / Michael Fend.

1995 M.Mus. in Historical Musicology, Kings College, University of London, UK.

Thesis: Striggio-Monteverdis LOrfeo: An Excursion into its Neoplatonic Layers.

Adviser: Professor Curtis Price.

1992 Ptychio (equivalent to MA) summa cum laude and highest GPA in my class, Musicology and Music Education,

Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Thesis: Το συνθετικό έργο του Νίκου Αστρινίδη : Μία πρώτη προσέγγιση / The Life and Works of Nicholas Astrinidis.

19891990 private instruction in Conducting with Karolos Trikolidis (student of Hans Swarovski and Herbert von Karajan), New Conservatory of Thessaloniki, Greece.

1992 Diploma in Theory of Music (cluster of teaching degrees) cum laude,

Macedonian Conservatory of Thessaloniki, Greece.

1992 Fugue (Diploma: Excellent Unanimously with Distinction)

1990 Hodiki (Degree: Excellent)

1990 Counterpoint (Degree: Excellent Unanimously)

1988 Harmony (Degree: Excellent)

1990 Diploma in Piano Performance (professional degree) cum laude and First Prize,

Macedonian Conservatory of Thessaloniki, Greece.

 

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RESEARCH APPOINTMENTS AND ACADEMIC DISTINCTIONS

 

2017, 0105 Visiting Researcher, Economics of Change department, WZB Berlin Social Science Center

2015/0116/12Research Fellow (Culture and Economics), WZB Berlin Social Science Center

20152016 Library Research Fellowship, Tsakopoulos Hellenic Collection, California State University, Sacramento

2016 Honorary citation, Thracian Hearth of Thessaloniki

20112012 Research grant, Greek America Foundation

Visiting Fellowship, William Andrews Clark Memorial Library, UCLA

Visiting Scholar, Department of Music, Stanford University (JulySeptember)

20102011 ACLS Fellowship, American Council of Learned Societies

Kluge Fellowship, The John W. Kluge Center at the Library of Congress

Katharine F. Pantzer Jr. Fellowship in Descriptive Bibliography, Houghton Library, Harvard University

McGill-ASECS Fellowship, The Burney Centre, McGill University

Honorary Research Associate, Department of Economics, University College London

Visiting Scholar, Minda de Gunzburg Center for European Studies, Harvard University [declined]

2010, Jan. Research grant, Music & Letters Trust

20092010 Research Associate, ESRC Centre for Economic Learning and Social Evolution (ELSE),

Department of Economics, University College London

Early Career Research Associate, Institute of Musical Research,

School of Advanced Study, University of London

20072008 Mayers Fellowship, The Huntington

20062007 John M. Ward Fellowship in Dance and Music for the Theatre, Houghton Library, Harvard University

  Mary and Eric Weinmann Fellowship, Folger Shakespeare Library

20052006 Kanner Fellowship in British Studies, Center for Seventeenth- & Eighteenth-Century Studies, UCLA

ASECS/Mellon Postdoctoral Fellowship, Harry Ransom Center, The University of Texas at Austin

Gwin J. and Ruth Kolb Research Fellowship, American Society for Eighteenth-Century Studies

2005 Honorary Citation, Academy of Athens

20042005 Fletcher Jones Foundation Fellowship, The Huntington

2004 J. Merrill Knapp Research Fellowship, American Handel Society

20032004 Aubrey Williams Research Travel Fund Award, American Society for Eighteenth-Century Studies

2003 Travel Fellowship, American Society for Eighteenth-Century Studies

Graduate Research Opportunity Award, Stanford University

Ingolf Dahl Award Competition Finalist, AMS Pacific Southwest and Northern California chapters

Newcombe Dissertation Fellowship Finalist, The Woodrow Wilson National Fellowship Foundation

20022003 Research Fellowship, William Andrews Clark Memorial Library, UCLA

ASECS-Lewis Walpole Library Fellowship, The Lewis Walpole Library, Yale University

20012002 Geballe Dissertation Prize Fellowship, Stanford Humanities Center

20002002 Doctoral Fellowship, Panayotis and Effie Michelis Foundation

19962000 Doctoral Fellowship, Stanford University

19951996 Postgraduate Fellowship, Alexander S. Onassis Public Benefit Foundation

Vozou Fellowship, Academy of Athens

19941995 Velliou-Varonou Scholarship, Greek Ministry of Education and Religious Affairs

19921993 Postgraduate Scholarship, Macedonian Conservatory of Thessaloniki

1991 (Fall) research grant, Aristotle University of Thessaloniki

1990 Honorary Diploma and Scholarship, Rotary Club of Thessaloniki

19871991 Undergraduate Fellowships, Greek State Scholarships Foundation

1986 Honorary Diploma, Municipality of Neapolis, Thessaloniki

19851992 Fellowship, School of Advanced Music Theory, Macedonian Conservatory of Thessaloniki

 

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TEACHING EXPERIENCE

 

Stanford Continuing Studies, Stanford University (Lecturer / Academic Staff):

 

2020 Spring The Artistry of Beethoven: A 250th Anniversary Celebration

2019 Fall A Practical Introduction to Music Theory and Harmony (online)

2019 Winter Beethovens Nine Symphonies

2018 Fall A Practical Introduction to Music Theory and Harmony (online)

2018 Winter A Practical Introduction to Music Theory and Harmony (online)

2017 Summer A Practical Introduction to Music Theory and Harmony

2016 Summer A Practical Introduction to Music Theory and Harmony

2015 Summer A Practical Introduction to Music Theory and Harmony

2014 Summer A Practical Introduction to Music Theory and Harmony

2014 Spring An Introduction to Opera

2013 Summer Practical Music Theory

2013 Spring An Introduction to Opera

2012 Summer What Makes Classical Music Tick: The Elements of Sound

2012 Winter An Introduction to Opera

2011 Fall Practical Music Theory

2009 Fall Handel and His Times [cancelled]

2009 Summer Musics Anatomy: Classical Music from the Inside

2008 Summer Practical Music Theory

2008 Spring Mozart and the Enlightenment

2007 Summer Practical Music Theory

2006 Fall Beethovens Nine Symphonies

2006 Summer Practical Music Theory

2006 Spring A Practical Introduction to Harmony

2005 Fall Handels London

2005 Summer A Practical Introduction to Music Theory

2005 Spring Handel and Georgian England [cancelled]

 

Teaching evaluations

 

Department of Music, Stanford University (Teaching Fellow):

2004 Winter Elements of Music II

2003 Fall Elements of Music I

2003 Spring Elements of Music III

2002 Fall Introduction to Music Theory

1999 Fall Mozarts Instrumental Music

1999 Winter Music History until 1750

1998 Fall The Music of J.S. Bach and G.F. Handel

1998 Spring Talking about Music

1998 Winter Introduction to Music

1997 Fall Introduction to Music Theory

 

Macedonian Conservatory of Thessaloniki, Greece (Lecturer):

19891991 Music Theory I

19891991 Piano I

 

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WORK EXPERIENCE

 

 

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WRITINGS [Gr= in Greek]

 

Online resources

Monographs

Research articles

Invited presentations

Music essays

Other writings

Journalism

Reviews

Fiction-other

 

 

Online resources

 

 

 

Monographs

 

 

 

Research articles

 

         Handel at sixty (1745): New insights on Handels darkest hour [15,000 words, in final stages].

         A Handelian piracy during a Handel Year [in preparation].

         Farinelli sings Handel [in preparation].

         Handel and crime [in preparation].

         From the music historians desk: Burney researching the Royal Academy of Music [in preparation].

         Art as Cause Social transformation through Oratorio performances: A proposal [working paper].

         Cognitive perspectives in Wagners Parsifal, jointly with Steffen Huck [working paper].

         As a dictionary to a novel: A C.P.E. Bach entry in Beethovens Op. 2, No. 3? [10,100 words, under revision].

         Handel Reference Database (HRD) and the challenges of scholarly entrepreneurship [commissioned].

         Μουσικός Πλατωνισμός στην Ελισαβετιανή Αναγέννηση [Musical Platonism in Elizabethan Renaissance] [9,750 words, under review].

         Η οικονομική πολιτική της Ένωσης Κέντρου (1964) [The economic policy of the Center Union party (1964)] [submitted].

         Alexander Pantages (1864/751936) [1079 words, submitted].

         Από τη Σαλονίκη στην Θεσσαλονίκη: η μαρτυρία του Ζακ Αμπραβανέλ [From Salonica to Thessaloniki: Jacques Abravanels testimony] [1700 words, submitted].

         A missing reference to Lohengrin in Nietzsches The Case of Wagner [submitted].

         Η άγνωστη συμβολή της Ομογένειας κατά την Κατοχή, To Vima, 26 January 2020, A32 (56).

         Σκούρας καλεί Χρουστσόφ [original title: Όταν ο Χρουστσόφ συναπάντησε τον αδελφό του Έλληνα], To Vima, Sunday 15 October 2017, 8:8.

         Quantifying music genius, or Handel on the balance: A scale of musical merit from 1776, WZB Discussion Paper, SP II 2016311, December 2016.

         Changing cultural space: The public molding of Esther into an English oratorio (1732), WZB Discussion Paper, SP II 2016310, December 2016.

         From the garden of Diaspora to the cell of repatriation: Hellenism in the life and works of Nikos Astrinidis, Aspects of Hellenism in Music [in production].

         Though this be madness, yet there is method int: A Counterfactual Analysis of Richard Wagners Tannhuser, jointly with Heike Harmgart, Steffen Huck, and Wieland Mller, Music & Letters 95:4 (November 2014), 584602.

         How Skouras Led Community in WWIIs Greatest Foreign Aid Campaign, The National Herald, 3 August 2014.

         Musical References in the JennensHoldsworth Correspondence (172946), jointly with Amanda Babington, Royal Musical Association Research Chronicle 45:1 (2014), 76129.

         Εκατό χρόνια από τις μεγάλες αλλαγές στην Ήπειρο [One Hundred Years from the Partition of Epirus], Kathimerini, 27 July 2014; reprinted with parallel Albanian translation, http://www.pelasgoskoritsas.gr/2017/02/korcaret-konferences-se-londres-1912-u.html, 19 February 2017; reprinted in Ελεύθερος Λόγος Αργυροκάστρου, 27 February 2017.

         Άγνωστες πτυχές γύρω από το Κυπριακό [Unknown aspects of the Cyprus problem], Kathimerini, 29 June 2014.

         Είμ ένα όμορφο αγόρι [I am a beautiful boy], Kathimerini, 22 June 2014, 5.

         Αναζητώντας το αμερικανικό Δίστομο [Searching for an American Distomo], Kathimerini, 15 June 2014, 7.

         Πώς ο Χατζιδάκις πανικόβαλε το Χόλιγουντ [How Hadjidakis scared Hollywood], ToVIMA, 6 April 2014.

         Ένας στρατηγός της Βέρμαχτ αφηγείται [A Wermacht general reminisces], To VIMA, 9 March 2014, A23; reprinted in emfilios.blogspot.de.

         Έγγραφα του ΕΛΑΣ στην Αμερική [ELAS documents in America], Kathimerini, 9 March 2014.

         Ο μεγάλος αγνοημένος ευεργέτης του έθνους [Greeces neglected national benefactor], Kathimerini, 2 June 2013 [original title: Εθνικός ευεργέτης: Η προσφορά του Σκούρα στην μεταπολεμική Ελλάδα [National Benefactor: Skouras contributions in postwar Greece]]; reprinted in www.timesnews.gr, 28 March 2017.

         Dramatic pairing in Fidelio: A structuralist approach, College Music Symposium 52 (2013) [online].

         An annotated wordbook of The Beggars Opera (1728), jointly with Richard Virr, Notes & Queries 60/1 (March 2013), 111113.

         Handelian oratorio and the sublime according to John Baillie, Gttinger Hndel-Beitrge 14 (2012), 253263.

         A Master Stands: Rare Brahms Photos in the Library of Congress, Fontes Artis Musicae 59/1 (JanuaryMarch 2012), 3944.

         Ο επισιτισμός της Ελλάδας στην Κατοχή: Στοιχεία από το αρχείο του Σπύρου Σκούρα [How Spyros Skouras fed the Greeks during the countrys occupation by the Nazis], Kathimerini, 18 December 2011, 27.

         An emblem of modern music: temporal symmetry in the prologue of LOrfeo (1607), Early Music 39/4 (November 2011), 519530.

         Reforming Handel: John Brown and The Cure of Saul (1763), Journal of the Royal Musical Association 136/2 (2011), 207245.

         Ο Σεφέρης και η Αμερική [Σεφέρης-Στραβίνσκι-Χάρβαρντ: η άγνωστη σχέση του ποιητή με το κορυφαίο πανεπιστήμιο / Seferis-Stravinsky-Harvard: the unknown links of the poet with the university], Το Βήμα της Κυριακής [The Sunday Vima], 25 September 2011, 1415.

         Princess Carolinas list of monthly expenses, JanuaryFebruary 1727/8, Notes & Queries 58/3 (September 2011), 401403.

         Elsas reason: On beliefs and motives in Wagners Lohengrin, jointly with Steffen Huck, Cambridge Opera Journal 22/1 (2010), 6591.

         Handelian references in Richard Pocockes early correspondence (17347), Newsletter of The American Handel Society 26/1 (Spring 2011), 56.

         Musical References in Richard Pocockes Early Correspondence (173437), Society for Eighteenth-Century Music Newsletter 17 (September 2010April 2011), 5.

         ΔΗΜΗΤΡΗΣ ΜΗΤΡΟΠΟΥΛΟΣ: Μία συμφωνική, ένα αφεντικό και δύο μνηστήρες [original title: Ανέκδοτη αλληλογραφία του Μητρόπουλου στην Βιβλιοθήκη του Κογκρέσου / Unpublished correspondence of Mitropoulos in the Library of Congress], Το Βήμα της Κυριακής [The Sunday Vima], 9 January 2011, B2: 67.

         An authors fee: John Mainwarings Handel biography (1760), Notes and Queries 57/4 (December 2010), 546548.

         hee-haw ... llelujah: Handel among the Vauxhall Asses (1732), Eighteenth-Century Music 7/2 (September 2010), 221262.

         London Mozartiana: Wolfgangs disputed age & early performances of Allegris Miserere, The Musical Times, vol. 151, no. 1911 (Summer 2010), 8389.

         The Music of the Count of St. Germain: An Edition, Society for Eighteenth-Century Music Newsletter 16 (April 2010), [67].

         Senesinos Black Boy (1725), The Handel Institute Newsletter 21/1 (Spring 2010), [78].

         Handel, Hogarth, Goupy: Artistic intersections in Handelian biography, Early Music 37/4 (November 2009), 577596.

         Handel at a Crossroads: His 17371738 and 17381739 Seasons Re-Examined, Music & Letters 90/4 (November 2009), 599635.

         Handels Reception and the Rise of Music Historiography in Britain, in Musics Intellectual History, ed. Zdravko Blaeković and Barbara Dobbs Mackenzie (New York: Rpertoire International de Littrature Musicale, 2009), 387396.

         George I goes to the masquerade (1721), The Scriblerian and the Kit-Cats 42/1 (Autumn 2009), 4749.

         Το δράμα στο έργο του Νίκου Αστρινίδη: Εισαγωγικές παρατηρήσεις [Drama in Nikos Astrinidis oeuvre: An Introduction], Twentieth-Century Greek Music Creation in Lyric Drama and other Representative Arts, ed. George Vlastos (Athens: Friends of Music, 2009), 252256 [Gr].

         Music in Good Time and the Handelian discord in 1745, Newsletter of The American Handel Society 24/2 (Summer 2009), 13.

         true Merit always Envy raisd: The Advice to Mr. Handel (1739) and Israel in Egypts early reception, The Musical Times, vol. 150, no. 1906 (Spring 2009), 6986.

         Mrs. Cibbers oratorio salary in 174445, The Handel Institute Newsletter 20/1 (Spring 2009), [12].

         Handel recovering: Fresh light on his affairs in 1737, Eighteenth-Century Music 5 (2008), 237244.

         English oratorio in London: The 1765 season, Hndel-Jahrbuch 54 (2008), 313327.

         Oratorio la Mode[: Esther and Fieldings The Modern Husband (1732)], Newsletter of The American Handel Society 23/12 (SpringSummer 2008), 79.

         Handel references in The Evening Advertiser (17541756), The Handel Institute Newsletter 19/1 (Spring 2008), [45].

         Its good to be a King, North American British Music Studies Association Newsletter 4/1 (Spring 2008), online.

         La Musique du Diable (1711), Society for Eighteenth-Century Music Newsletter 11 (October 2007), 79.

         Handel as a Transitional Figure (research paper).

         His Majestys choice: Esther in May 1732, Newsletter of The American Handel Society 22/2 (Summer 2007), 46.

         How is the hero falln!: New Light on Handels Darkest Hour (1745) (research paper).

         A Handel relative in Britain? (also cutting through the 1759 fence in Handel studies), The Musical Times, vol. 148, no. 1898 (Spring 2007), 4958.

         A famd Oratorio in old English sung: Esther on 16 May 1732, The Handel Institute Newsletter 18/1 (Spring 2007), [47].

         A chubby Orpheus: Handels corpulence as a prerogative of genius, in Consuming Culture in the Long Nineteenth Century: Narratives of Consumption, 17001900, ed. Tamara S. Wagner and Narin Hassan (Lanham, MD: Lexington Books, 2007), 223236.

         A new-fashioned Martyr: Handel, Lady Brown, and baby-boomer musicology (research paper).

         A Founding Father of Social Responsibility in Music? Handel in Georgian Britain (research paper).

         Charles Handell, Esq. (? 1776), Newsletter of The American Handel Society 21/1 (Spring 2006), 1, 3.

         Set theory in Xenakis EONTA, in International Symposium Iannis Xenakis, ed. Anastasia Georgaki and Makis Solomos (Athens: The National and Kapodistrian University, 2005), 241249 (jointly with Stavros Houliaras and Christos Mitsakis).

         Report, 200304 Aubrey Williams Research Travel Grant, American Society for Eighteenth-Century Studies News Circular 136 (Fall 2005), 78.

         The Artusi-Monteverdi controversy: Background, content, and modern interpretations, British Postgraduate Musicology 6 (2004), online.

         A new Handel dissertation, Newsletter of The American Handel Society 19/2 (August 2004), 5.

         [Beethoven and Freedom: Another way of looking at things?] The Beethoven Journal 18 (2003), 5859.

         [Handel in Vauxhall Gardens], Journal of the American Musicological Society 56 (2003), 221224.

         Eine Faust-Symphonie and Lawrence Kramers reading of the Gretchen movement, Journal of the American Liszt Society 50 (Autumn 2001), 917.

         Fragmentation in Classical Era Instrumental Music (research paper, fall 1998).

         Three Moments in Music Aesthetics (paper, fall 1998).

         An Essay on Schenker and Some of his Intellectual Affinities with Hanslick and Schopenhauer (research paper, spring 1998).

         Beethovens Heiliger Dankgesang (research paper, spring 1997).

         An Exploration of Anti-Teleological Moments in Beethovens Fidelio (research paper, winter 1997).

         Ορατόριο Άγιος Δημήτριος (1962) [Nicolas Astrinidis: Oratorio Saint Demetrios], Mousikotropies 1/1996, 1320 [Gr].

         Glimpses of a vision for Twenty-First-Century scholarship, Musical Objects: A Postgraduate Review 1 (1995), 6566.

         Ludwig van Beethoven: Klaviersonate op. 27, nr 2 (Πρώτο Μέρος) Μια Ερμηνευτική Ανάλυση [Ludwig van Beethoven: Piano Sonata no. 14, op. 27, no. 2, first movement A hermeneutic analysis], Mousikotropies 3/1995, 4045 [Gr].

         The Canon and how one can blow it up: Improvisation on a commonly obscure theme (seminar paper, April 1995).

         An Analysis of John Williams Star Wars (Main Title) (seminar paper, January 1995).

         Nicolas Astrinidis: Oratorio Saint Demetrios, booklet for CD with extracts from the oratorio (Thessaloniki: Thalassa Records, 1994), 15 pp.

         F. Chopin: Prelude Op. 28, Αρ. 14 Ένα Παράδειγμα Χρήσης της Γραμμικής Αντίστιξης στη Ρομαντική Μουσική [F. Chopin: Prelude Op. 28, no. 14. An example of monophonic counterpoint in Romantic music], Mousikotropies 1/94, 2331 [Gr].

         Baconian or Stratfordian Theory? (seminar paper, June 1992).

         Dinu Lipatti (19171950), Mousikotropies 1/1991, 2331 [Gr].

         Το καθήκον στη Ζωή/Έργο του Δημήτρη Μητρόπουλου [Duty in the Life/Work of Dimitris Mitropoulos], Mousikotropies 3/1990, 6374 [Gr].

         Η τέλεια εξάσκηση των δακτύλων [The Perfect Training of the Fingers: in their Combination, with the Restriction of non-repeating the Same Finger in Each Combination] (method), Mousiki Periodiki Ekdosi 1 (April 1989), 3540 [Gr]; reviewed and partly reprinted in Chronis Moysiadis and Haralampos C. Spyridis, Applied Mathematics in the Science of Music (Thessaloniki: Ziti, 1994), 8790, 21925.

 

 

Invited Presentations

 

 

 

Music Essays

 

Epilogue (14 May 2009).

 

 

Other Writings

 

 

 

Journalism

 

(major themes: defending the Humanities in a corporate academia

uniting personal spiritual freedom and social justice)

 

 

 

Reviews

 

 

 

Fiction-Other

 

 

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COMPOSITIONS

 

recordings: Google play; itunes; Amazon; routenote; CDbaby

scores: musicaneo; sheetmusicplus

 

 

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The Mask (Shake-Spear) (audio), Eros (Margueritte de Valois) (audio), Immolation (F.B.) (audio)

I. Enoch (score; audio), II. Kritikos (score; audio), III. Epitritos (score; audio), IV. Tsamikos (score; audio), V. Mystic Ben (score)

 

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Creative Arrangements

 

 

Transcriptions

 

 

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VIDEOS

 

         War-ravaged Greece, 1944

         The Skouras-Khrushchev debate (video list, 7 September 2017)

         From Greek immigrant to American paragon: The life and achievements of Spyros P. Skouras (18931971) (25 Nov. 2016); featured in Spyros P. Skouras, One of the most Prominent Greek-Americans in US History, The National Herald, 21 February 2017; Σπύρος Σκούρας: Ενας ομογενής με επιρροή στις ΗΠΑ, Εθνικός Κήρυξ, 21 February 2017.

         Spyros P. Skouras (1893-1971) (25 Mar. 2013)

         March for justice (20 Sep. 2012)

         Stanford bike tour (2) (9 Sep. 2012)

         Stanford bike tour (1) (3 Sep. 2012)

         Miracle (3 Oct. 2011)

         Once upon a time in Greece... (11 Aug. 2011)

         Hiroshima (6 Aug. 2011)

         Pieta (3 Aug. 2011)

 

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PIANO PERFORMANCES

 

http://www.youtube.com/chrissochoidis

 

Samples (private recordings)

 

 

 

2019

         2019 Nov 8 Soul On Fire, Redeemer School, Redwood City

         2019 Sep 27 The Prodigal Clown, Redeemer School, Redwood City

         2019 Jul 26 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2019 Jul 12 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2019 Jun 28 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2019 Jun 14 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2019 May 19 Beauty and the Beast, Redeemer School, Redwood City

         2019 May 17 Beauty and the Beast, Redeemer School, Redwood City

2018

         2018 Nov 2 Show me the Candy! Redeemer School, Redwood City

         2018 Jul 27 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2018 Jul 13 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2018 Jun 29 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2018 Jun 15 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2018 May 1619 The Good Person of Szechwan, Roble Studio Theater, Stanford University

         2018 Mar 10 Honors Recital, New Mozart School of Music, Santa Clara University

2017

         2017 Oct 29 Sunday service, St. Augustines Episcopal Church, Oakland

         2017 Oct 22 Sunday service, St. Augustines Episcopal Church, Oakland

         2017 Jul 28 The Sound of Music, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2017 Jul 14 The Sound of Music, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2017 Jun 30 The Sound of Music, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2017 Jun 16 The Sound of Music, HMT, Haymarket Theater, Palo Alto High School [2 shows]

2016

         2016 Aug 26 Celebrating the Life of Loyd Evan Ellis, Menlo Park Presbyterian Church, Menlo Park

         2016 Aug 12 Peter Pan, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2016 Jul 29 Peter Pan, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2016 Jul 15 Peter Pan, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2016 Jul 10 Sunday service, First United Methodist Church, Redwood City

         2016 Jul 3 Sunday service, First United Methodist Church, Redwood City

         2016 Jul 1 Peter Pan, HMT, Haymarket Theater, Palo Alto High School [2 shows]

         2016 Jun 26 Sunday service, First United Methodist Church, Redwood City

         2016 Jun 17 Peter Pan, HMT, Haymarket Theater, Palo Alto High School [2 shows]

2015

         2015 Nov 12 Farewell to David Brady reception, WZB Berlin Social Science Center

         2015 Aug 14 Annie, HMT, Palo Alto High School [2 shows]

         2015 Aug 9 Sunday service, First United Methodist Church, Redwood City

         2015 Aug 2 Sunday service, Island United Church, UCC, Foster City

         2015 Jul 31 Annie, HMT, Palo Alto High School [2 shows]

         2015 Jul 17 Annie, HMT, Palo Alto High School [2 shows]

         2015 Jul 3 Annie, HMT, Palo Alto High School [2 shows]

         2015 Jun 28 Sunday service, First United Methodist Church, Redwood City

         2015 Jun 19 Annie, HMT, Palo Alto High School [2 shows]

         2015 Apr 21 piano inauguration, annual townhall meeting, WZB Berlin Social Science Center

2014

2013

2012

2010

2009

Kids! (Bye Bye Birdie), workshop, Los Altos

Kids! (Bye Bye Birdie), workshop, Los Altos

2008

2007

2006

2005

2004

 

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19962004

 

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BIOS

 

 

 

Interviews

 

 

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BIBLIOGRAPHICAL CITATIONS

 

Books and book chapters

         Richard Wistreich, ed, Monteverdi (Ashgate, 2011), Introduction.

 

Journals and conference papers

 

Dissertations-Theses

 

Online resources-other

 

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SCHOLARLY-PROFESSIONAL ACKNOWLEDGEMENTS

 

 

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REFERENCES

 

 

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